Aurélie Quentin

"Art of Idleness"

      Aurélie Quentin is a French artist with Italian and Russian roots. She was born and raised on a tropical island nearby South Africa called La Réunion. The artist expresses her creativity through large figurative portraits. With oil painting, Aurélie Quentin shows a rebellious and mixed youth in an urban and often tropical context.

A Tropical & Ambivalent Context

The kaleidoscope of tropical colours, the brutality of light as well as the delicacy coming from it nourishes her pictorial work. The young artist’s characters stand in ”everyday life” sceneries, laid back’s instants, which are magnified on canvas.
A sort of incongruity is noticed through an attitude, a detail that kind of criticises the standardization of taste.

Irreverent Youth

When choosing her models, Aurélie Quentin leans towards multiracial, that represents for her the pinnacle of human beauty.
Her characters that know they are being watched, then engage a dialogue with the one looking at them. In there attitude lies a slight disdain, a slight irreverence, a slight inner feeling that call to mind these habits of noble families where we look up and down.

The Art of Idleness

The models appropriate an art of doing nothing. Idleness now taboo, while being praised by philosophers since antiquity.
Her painting, as an allegory of an assumed chill, portrays an irreverent youth claiming the simplicity of happiness.
The features of her brushes draw a “state of being” that gives back nobleness to lazing around. The time of inactivity is the one giving birth to activity, innovation, creation, and the one that allows us to really draw back from the pressure of a productivist societal dogma.

When contemplating Aurélie Quentin’s work, one is being offered an opportunity to think about a right to laziness, a right to lightness and about a certain « lost time ».



Chaleur Tropicale - Tropical heat
A beautiful image

The Art of Idleness

The models appropriate an art of doing nothing. Idleness now taboo, while being praised by philosophers since antiquity.
Her painting, as an allegory of an assumed chill, portrays an irreverent youth claiming the simplicity of happiness.

The features of her brushes draw a “state of being” that gives back nobleness to lazing around. The time of inactivity is the one giving birth to activity, innovation, creation, and the one that allows us to really draw back from the pressure of a productivist societal dogma.

When contemplating Aurélie Quentin’s work, one is being offered an opportunity to think about a right to laziness, a right to lightness and about a certain « lost time ».
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